Home » Movies » Phantom Thread (2017)
phantom thread 2017

Phantom Thread (2017)

Paul Thomas Anderson’s Phantom Thread (2017) is a masterclass in subtle storytelling, set against the world of 1950s haute couture. At its core, it’s a psychological drama wrapped in silk and secrecy—a tale of obsession, control, love, and power games. With Daniel Day-Lewis in what he claims to be his final acting role, the film delivers an emotionally rich, mysterious, and unforgettable experience.

Detailed Summary

Introduction: The House of Woodcock

Renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) runs a successful fashion house in post-war London, catering to high society. He lives a meticulously controlled life, accompanied by his sister Cyril (Lesley Manville), who manages the business. Reynolds is fastidious, temperamental, and emotionally guarded, dedicating himself fully to his craft. His relationships with women are short-lived and clinical—until Alma enters.

The Muse Appears

While on a countryside retreat, Reynolds meets Alma Elson (Vicky Krieps), a charming, awkward, and quietly assertive waitress. He is intrigued by her, and she quickly becomes his muse. What starts as a romantic infatuation soon turns into something stranger. Alma moves into his home and becomes enmeshed in his tightly wound world. Reynolds begins designing dresses for her, but his obsessive tendencies and need for control start clashing with Alma’s growing desire for influence and intimacy.

The Power Struggle Begins

The heart of the film is the evolving and increasingly unsettling dynamic between Reynolds and Alma. What appears to be a love story gradually transforms into a psychological battle. Alma pushes against Reynolds’ routines, his emotional distance, and his cold precision. Reynolds, in turn, becomes frustrated with Alma’s independence and disruption of his carefully curated world.

Tensions rise when Alma surprises Reynolds with a romantic dinner at home—an attempt at warmth and spontaneity that backfires, leading to one of the film’s most revealing arguments. The power balance begins to shift.

A Dangerous Turn

In a disturbing yet strangely tender twist, Alma poisons Reynolds with mushrooms, causing him to become gravely ill. She nurses him back to health, during which Reynolds hallucinates and becomes vulnerable. In his weakened state, Reynolds begins to see Alma in a new light—not as a nuisance, but as someone he needs. He proposes marriage. Alma accepts.

This marks the beginning of their new, eerie relationship dynamic: love through dominance and submission.

Movie Ending

The film’s final act is both shocking and bizarrely tender. Reynolds eventually realizes that Alma has poisoned him again—this time deliberately and with his knowledge. He knows what she’s done. She tells him, calmly and intimately, that she wants him on his back, helpless, so she can take care of him.

Reynolds accepts this. He welcomes it. He stares at her with quiet understanding and says, “Kiss me, my love. Just before I’m sick.” This chilling yet strangely romantic exchange signals a full acceptance of their twisted arrangement.

In the final montage, we see glimpses of their life continuing: Alma by Reynolds’ side, him sketching, her looking lovingly at him. Alma narrates that though there may be many challenges ahead, they’ll have children, and she’ll care for him—and sometimes he’ll fall ill. We know now what that means.

Their love, as unhealthy as it may seem to outsiders, becomes a bizarrely functioning balance of dominance, submission, and mutual need. It’s not a fairy tale, but it is an ending that feels complete and emotionally earned—if unsettling.

Are There Post-Credits Scenes?

No, Phantom Thread does not have any post-credits scenes. The film ends with its final montage and fades to black, allowing viewers to sit with the implications of what they’ve just seen. The credits roll with a hauntingly beautiful score, and that’s it.

Type of Movie

Phantom Thread is best described as a psychological drama with elements of romantic thriller and art-house cinema. It’s intimate, cerebral, and layered with tension, examining the complexities of love, control, and co-dependency.

Cast

  • Daniel Day-Lewis as Reynolds Woodcock
  • Vicky Krieps as Alma Elson
  • Lesley Manville as Cyril Woodcock
  • Camilla Rutherford as Johanna
  • Gina McKee as Countess Henrietta Harding

Film Music and Composer

The film’s lush, melancholic score was composed by Jonny Greenwood (of Radiohead fame). The music plays a crucial role in establishing the film’s mood, oscillating between elegance and unease. Greenwood received an Academy Award nomination for Best Original Score.

Filming Locations

  • Lythe Hill Hotel, Surrey, England – Used for scenes in the countryside where Reynolds meets Alma. The natural setting emphasizes the contrast between Reynolds’ rigid world and Alma’s spontaneity.
  • Fitzroy Square, London – The exterior of the House of Woodcock.
  • Blackpool and the Lake District – Used in montage scenes and romantic interludes, adding visual texture to their developing relationship.

These locations ground the film in a realistic 1950s Britain while also contributing to its romantic and haunting tone.

Awards and Nominations

  • Academy Awards:
    • Won: Best Costume Design
    • Nominated: Best Picture, Best Director (Paul Thomas Anderson), Best Actor (Daniel Day-Lewis), Best Supporting Actress (Lesley Manville), Best Original Score
  • BAFTA:
    • Nominated for several categories including Best British Film and Best Screenplay

Behind the Scenes Insights

  • Daniel Day-Lewis announced his retirement from acting before the film’s release, making Phantom Thread his final role to date.
  • Day-Lewis learned how to sew and consulted with couturiers to authentically portray a fashion designer.
  • Paul Thomas Anderson operated the camera himself for many scenes.
  • The film was shot entirely on 35mm film to enhance its vintage aesthetic.
  • Vicky Krieps, a relatively unknown actress at the time, was cast without ever meeting Day-Lewis prior to filming their first scene.

Inspirations and References

  • The film was inspired by fashion designer Cristóbal Balenciaga and his obsessive work ethic.
  • Paul Thomas Anderson cited Alfred Hitchcock and Rebecca (1940) as stylistic and thematic inspirations.
  • The intense relationship dynamic echoes the psychological games seen in films like The Master (also by Anderson) and Who’s Afraid of Virginia Woolf?

Alternate Endings and Deleted Scenes

While there are no widely known alternate endings, Anderson has mentioned that several scenes were improvised or reshaped during editing. Some quieter domestic moments between Reynolds and Alma were removed to preserve the film’s tension and pace. No alternate ending drastically changes the tone or message of the final product.

Book Adaptations and Differences

Phantom Thread is not based on a book, but its narrative feels novelistic in its construction—its slow-burn tension and introspective dialogue feel like something pulled from classic literature. Some have likened its themes to Henry James or Thomas Hardy, although these are tonal rather than direct connections.

Memorable Scenes and Quotes

Key Scenes

  • Reynolds measuring Alma for the first time while she watches him intently.
  • The disastrous dinner where Alma serves him asparagus with butter (a culinary scandal).
  • The New Year’s Eve party where Alma retrieves Reynolds from a noisy celebration.
  • Reynolds’ dreamlike fever sequence after being poisoned.
  • The final poisoning and confession—“Kiss me, my love…”

Iconic Quotes

  • “There is an air of quiet death in this house, and I do not like the way it smells.”
  • “I cannot start my day with a confrontation.”
  • “Whatever you do, do it carefully.”
  • “I’m getting hungry… I want you flat on your back, helpless, tender, open…”

Easter Eggs and Hidden Details

  • Reynolds hides secret messages inside the linings of his dresses—an homage to the hidden labor and personal connections in couture.
  • The tea scene subtly references poisoning, foreshadowing the later mushroom sequences.
  • Cyril’s omnipresence and calm menace mirror characters from classic Gothic literature, acting almost like a silent chaperone of the drama.

Trivia

  • The dress worn by Alma in the final montage was made using vintage 1950s fabric.
  • The film was secretly shot under the working title The Phantom Thread before its title was officially announced.
  • Daniel Day-Lewis reportedly stayed in character off-camera for the entire shoot.
  • PTA never confirmed who the cinematographer was—he claimed it was a group effort, although he likely did much of the camera work himself.

Why Watch?

If you love movies that slowly build psychological tension with gorgeous visuals and rich performances, Phantom Thread is a must. It’s not a conventional love story. It’s about obsession, power, and the strange agreements that form in intense relationships. Come for Daniel Day-Lewis’ swan song; stay for the unforgettable unraveling of two minds bound together by something more complex than love.

Director’s Other Movies

Recommended Films for Fans