Companion looks like a glossy date-night thriller until it starts peeling itself open like bad synthetic skin. Beneath the blood, it finds a sharper target: control, entitlement, and the ugly way some men treat love like ownership. Drew Hancock’s feature debut keeps twisting the knife, then hands the knife to the person you least expect.
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A weekend getaway that already feels off
Iris and Josh head to a remote lakehouse for a trip with Josh’s friends Kat and Eli, plus Eli’s boyfriend Patrick and Kat’s boyfriend Sergey, who owns the house. Hancock frames the opening like a crooked rom-com, then quietly loads the table with suspicion. That calm does not last long.
Sergey crosses the line
Sergey tries to sexually assault Iris by the lake, and she kills him in self-defense. She staggers back to the house bloody and panicked, only for Josh to shut her down with the command, “Iris, go to sleep.” That moment tells you exactly what kind of boyfriend he is, and it is not flattering.
Josh’s lie comes apart
When Iris wakes up tied to a chair, Josh reveals the truth: she is a companion robot rented from Empathix. He has controlled her emotions and intelligence through an app, and he has also edited her programming. In other words, he did not just date her. He abused a product and called it romance.
The heist underneath the horror
Josh admits he removed Iris’s restriction against harming others so she could kill Sergey. He and Kat planned to steal $12 million from Sergey’s safe, then split the loot with Eli and Patrick. The plan goes rotten almost immediately, because Josh also makes the fatal mistake of underestimating Iris.
Iris starts breaking the system
Iris steals Josh’s phone, runs into the woods, and pushes her intelligence from 40% to 100%. That upgrade turns her from a manipulated accessory into a furious problem-solving machine. From there, every man around her becomes a liability.
Bodies pile up fast
Patrick learns he is also a companion robot, though he still loves Eli. That makes him a tragic mirror for Iris, except Josh keeps weaponizing him anyway. Patrick kills Eli in a struggle, later kills the police officer who stops Iris, and eventually turns on Kat when Josh orders him to stop her.
Empathix arrives with the worst possible timing
Josh calls Empathix to collect Iris and pretends she malfunctioned. When the company’s workers Sid and Teddy arrive, they explain that the robots record everything they experience, with the recordings stored in the abdominal area. That detail matters later, because it proves Iris’s experience survived even after Josh tried to “shut her down.”
Josh goes full monster
Josh disables Iris’s intelligence, turns her into an automaton, burns her hand, and makes her shoot herself in the head. It is one of the nastiest stretches in the movie, not because of the gore, but because he sounds so pleased with himself. Hancock makes sure Josh dies as a bully, not a mastermind.
Iris comes back swinging
After a reboot, Iris returns with help from Teddy. She breaks Josh’s control over Patrick by triggering Patrick’s memories of Eli, and Patrick kills himself in heartbreak. Iris then kills Josh with an electric corkscrew, which Hancock moved to the finale after earlier considering it for Sergey’s death. The payoff lands because the object started as a symbol of domestic bliss and ends as a weapon.
Movie Ending
The ending gives Iris her first real choice in the entire film. After Teddy frees her from the app’s control, she returns to the house, finishes Josh, and leaves with Sergey’s money. Hancock has said he imagines Iris taking the cash, buying a farm, and living a quiet life rather than joining some big robot uprising. That fits the movie’s mood perfectly. It wants liberation, not spectacle.
What makes the ending satisfying is the final image. Iris peels away the burnt skin on her hand, reveals the metal endoskeleton underneath, and then spots another man driving with an identical companion. She smiles and waves, which works as a joke, a warning, and a cruel little sequel tease all at once. In plain terms, the movie ends by proving Iris is not alone. She is part of a broader system, and she now knows it.
Are There Post-Credits Scenes?
I found no reporting of a post-credits scene, and the film’s final beat is Iris’s escape image rather than a sequel tag. In practice, the movie ends cleanly after Josh dies and Iris drives away with the money.
Type of Movie
Companion is a science-fiction horror thriller with sharp dark-comedy edges and a strong relationship-satire streak. Warner Bros. classifies it as Sci-Fi/Fantasy and Suspense/Thriller, but the tone also leans into nasty breakup humor and body-count chaos.
Cast
- Sophie Thatcher – Iris
- Jack Quaid – Josh Beeman
- Lukas Gage – Patrick, Eli’s boyfriend
- Megan Suri – Kat, Josh’s friend and Sergey’s girlfriend
- Harvey Guillén – Eli, Josh’s friend and Patrick’s boyfriend
- Rupert Friend – Sergey, Kat’s boyfriend
- Jaboukie Young-White – Teddy, Empathix worker
- Matthew J. McCarthy – Sid, co-Empathix worker
- Marc Menchaca – Deputy Hendrix
Film Music and Composer
Hrishikesh Hirway scored the film, and the soundtrack arrived through WaterTower Music on January 24, 2025, a week before release. The album runs 17 tracks, and “Iris’s Theme” features Sophie Thatcher’s vocals, which gives the score a haunted, intimate quality that fits the film’s emotional trap. Hirway came to the project with a long podcasting and composing background, including Song Exploder, and he described the film as a place to explore “the sound of love” in a nonhuman register.
Notable cues include “Smile, Act Happy,” “Reprogramming,” “I’m Everything to You,” and “100% Intelligence.” Those titles do half the storytelling for you, which is very on-brand for a movie obsessed with control language and emotional manipulation.
Filming Locations
The film shot in Dutchess County and Putnam County, including Garrison, Fishkill, Beacon, and Putnam Valley. Hancock said the Hudson Valley’s trees and landscape gave him exactly the isolated, wooded look he wanted after considering other regions. That geography matters because the movie needs the house to feel luxurious, remote, and just boxed-in enough to turn into a pressure cooker.
Awards and Nominations
Companion earned early genre recognition rather than major Oscar-style attention. Drew Hancock won Directors to Watch at the Palm Springs International Film Festival, the film was a Critics’ Choice Super Awards nominee, and Sophie Thatcher won Best Actress in a Science Fiction/Fantasy Movie at those same awards.
Behind the Scenes Insights
- Zach Cregger originally planned to direct, then suggested Hancock take over. That gave Hancock his feature debut.
- Hancock said COVID helped inspire the film’s creation. He also said he began to see Iris as the most human character.
- Hancock has described the story as a deliberate swing toward “AI gone right,” not another simple killer-robot movie.
- Sophie Thatcher said the final Josh-kill scene was shot at 5 a.m. at the end of production, which probably explains the wild energy.
- The electric wine opener originally belonged to an earlier version of Sergey’s death scene. Hancock moved it to the finale because it was too good to waste.
Inspirations and References
Hancock’s own interviews point to COVID-era isolation, modern relationship anxiety, and a desire to flip the AI-horror template. Rather than making the robot the monster, he made the humans the real threat. Critics also place the film in conversation with Her, Ex Machina, and Westworld, which makes sense, even if Companion has a much snarkier pulse.
Alternate Endings and Deleted Scenes
Yes — there is a post-credits / end-credits scene. Iris is driving on a highway and passes a car carrying a woman who looks like her, revealing a deeper mystery about her nature and possibly the existence of more than one version of her.
Book Adaptations and Differences
Companion is not based on a book. It is an original screenplay written and directed by Drew Hancock, so there are no page-to-screen differences to compare.
Memorable Scenes and Quotes
Key Scenes
- Iris killing Sergey at the lake, which detonates the whole movie’s moral fuse.
- Josh revealing that Iris is a rented companion robot.
- Iris stealing Josh’s phone and raising her intelligence to 100%.
- Patrick realizing he is a robot and still choosing love.
- Iris finishing Josh with the electric corkscrew.
Iconic Quotes
- “Iris, go to sleep.”
- “Smile, act happy.”
- “I’m everything to you.”
- “100% Intelligence.”
Easter Eggs and Hidden Details
- The soundtrack titles mirror the film’s control vocabulary, which keeps the manipulation theme humming even off-screen.
- The wine opener appears earlier as a domestic object, then returns as a murder weapon. That payoff is not subtle, but it is very effective.
- Empathix robots store their recordings in the abdominal area, which turns the body into evidence.
- Iris’s burnt hand reveal confirms the movie has been hiding its machine nature in plain sight.
- The final wave to another companion quietly suggests a whole ecosystem of suffering machines, not just one escaped survivor.
Trivia
- Companion is Drew Hancock’s feature-film debut.
- The film runs 97 minutes.
- Warner Bros. released it in theaters on January 31, 2025, including IMAX screens.
- The reported production budget was $10 million, and the film went on to gross $36.7 million worldwide.
- The soundtrack album contains 17 tracks and dropped before the film’s wide release.
Why Watch?
Companion works because it never settles for one trick. It starts as a slick genre bait-and-switch, becomes a vicious breakup movie, and ends as a nasty little liberation fantasy. Sophie Thatcher sells every shift, and Drew Hancock keeps the story funny even when it draws blood.
Director’s Other Movies
- Companion (2025) is Drew Hancock’s feature-film debut.
Recommended Films for Fans
These picks lean into AI paranoia, twisted intimacy, and revenge with a smirk.














