A Face in the Crowd (1957)

Detailed Summary

The Rise of Lonesome Rhodes

The story begins with the discovery of Larry “Lonesome” Rhodes (Andy Griffith), a charismatic drifter, by radio producer Marcia Jeffries (Patricia Neal). Rhodes is found in a rural Arkansas jail, and his musical talent and charm quickly make him a local radio star. His folksy wisdom and singing captivate the audience.

Transition to Television

Rhodes’s success on the radio catches the attention of national television producers. He moves to New York City, where his popularity skyrockets. He becomes a TV sensation, using his influence to shape public opinion and wielding his charisma to manipulate both his audience and those around him.

Corruption and Manipulation

As Rhodes’s fame grows, so does his ego and ambition. He begins to use his show to influence political opinions, aligning himself with Senator Worthington Fuller (Marshall Neilan), a presidential hopeful. Rhodes’s power becomes apparent as he manipulates the senator’s image and policies to fit his own agenda.

The Downfall

Marcia, increasingly disillusioned with Rhodes’s growing megalomania and corruption, decides to take action. She exposes his true nature during a live broadcast, revealing his contempt for the very people who idolize him. The public turns against Rhodes, leading to his rapid fall from grace.

The Climactic End

Rhodes is left alone and disgraced, shouting futilely from his penthouse as his former associates abandon him. The film closes with Marcia walking away, contemplating the rise and fall of a man consumed by his own power.

Movie Ending

The film ends on a somber note with Lonesome Rhodes, once adored by millions, now isolated and powerless. His manipulative nature and hubris lead to his downfall, leaving him a broken man shouting into the void from his penthouse, with his voice unheard and ignored.

Are There Post-Credits Scenes?

No, “A Face in the Crowd” does not have any post-credits scenes.

Type of Movie

This film is a drama and a satirical commentary on media influence and the cult of personality.

Cast

• Andy Griffith as Larry “Lonesome” Rhodes
• Patricia Neal as Marcia Jeffries
• Anthony Franciosa as Joey DePalma
• Walter Matthau as Mel Miller
• Lee Remick as Betty Lou Fleckum
• Marshall Neilan as Senator Worthington Fuller

Film Music and Composer

The film’s score is composed by Tom Glazer, who provides a musical backdrop that enhances the satirical and dramatic elements of the story.

Filming Locations

• Piggott, Arkansas: The initial scenes depicting the rural setting where Rhodes is discovered.
• New York City: The urban scenes showcasing Rhodes’s rise to national fame, emphasizing the contrast between his humble beginnings and his eventual high society lifestyle.

These locations were essential in highlighting the dramatic transformation of Rhodes’s character.

Awards and Nominations

While “A Face in the Crowd” did not win major awards upon its release, it has since been recognized as a classic, earning a place in the United States National Film Registry for its cultural, historical, and aesthetic significance.

Behind the Scenes Insights

• Andy Griffith, primarily known for his comedic roles, delivered a powerful dramatic performance that surprised audiences and critics alike.
• Director Elia Kazan’s experience with the House Un-American Activities Committee influenced the film’s themes of manipulation and media influence.
• Patricia Neal recalled the intensity of filming, particularly in scenes with Griffith, who fully immersed himself in the volatile nature of Rhodes.

Inspirations and References

• Source Material: The film is based on the short story “Your Arkansas Traveler” by Budd Schulberg, who also wrote the screenplay.
• Political and Media Influence: The film draws from real-life figures and events, critiquing the power of media personalities and their impact on politics and public opinion.

Alternate Endings and Deleted Scenes

There are no widely known alternate endings or significant deleted scenes for this film. The narrative was tightly constructed to deliver its satirical message.

Book Adaptations and Differences

The film is based on Budd Schulberg’s short story “Your Arkansas Traveler.” The adaptation expands on the story’s themes, providing a more detailed exploration of Rhodes’s rise and fall and the media’s role in shaping public perception.

Memorable Scenes and Quotes

Key Scenes

• Rhodes’s Radio Debut: The moment Rhodes first captivates the radio audience with his charm and talent.
• Television Takeover: Rhodes’s transition to TV, showcasing his ability to manipulate the masses.
• Live Broadcast Exposure: Marcia exposing Rhodes’s true nature during a live TV broadcast, leading to his downfall.

Iconic Quotes

• “I’m not just an entertainer. I’m an influence, a wielder of opinion, a force… a force!” – Lonesome Rhodes
• “Marcia, I put my whole self into everything I do, and all I ask is the same from you.” – Lonesome Rhodes
• “A guitar beats a woman every time.” – Lonesome Rhodes

Easter Eggs and Hidden Details

• The film features several references to real-life media personalities and political events, subtly critiquing the power dynamics of the 1950s.
• The character of Lonesome Rhodes is a composite of various media figures known for their charismatic influence.

Trivia

• The film was Andy Griffith’s film debut.
• Elia Kazan and Budd Schulberg previously collaborated on the acclaimed film “On the Waterfront.”
• The film’s themes remain relevant today, highlighting the enduring power of media influence.

Why Watch?

“A Face in the Crowd” offers a timeless critique of media and its influence on public opinion. With compelling performances, particularly from Andy Griffith, and a thought-provoking narrative, it remains a powerful and relevant film.

Director’s Other Movies

• On the Waterfront (1954)
• A Streetcar Named Desire (1951)
• East of Eden (1955)
• Splendor in the Grass (1961)
• America, America (1963)

Recommended Films for Fans

• Network (1976)
• Citizen Kane (1941)
• Sweet Smell of Success (1957)
• The Manchurian Candidate (1962)
• All the King’s Men (1949)