The Final Conflict, also known as Omen III: The Final Conflict, is the third installment in the classic horror franchise. Directed by Graham Baker, the film centers on an adult Damien Thorn, now a powerful political figure on the brink of global domination. Below is an in-depth look at the film, its themes, its production, and everything curious fans usually want to know.
Table of Contents
ToggleDetailed Summary
Damien Thorn’s Rise to Political Power
The film opens with Damien (played by Sam Neill) now fully aware of his identity as the Antichrist. He has risen to immense status, becoming the U.S. Ambassador to Great Britain—a position previously held by his father figure, Robert Thorn. This political angle sets the tone for a more psychological and conspiracy-driven installment.
The Christ-Child Prophecy
The central tension revolves around a prophecy stating that the Second Coming of Christ is imminent. Damien’s cult of followers—the Disciples of the Watch—work to locate and eliminate all newborn boys born at a specific hour, believing one of them to be the Messiah. This chilling plot line creates some of the film’s darkest sequences.
The Daggers of Megiddo
Meanwhile, a group of monks known as the Seven Priests of Megiddo seek to stop Damien. They hold the mystical Daggers of Megiddo—the only weapons capable of killing him. Their repeated attempts to assassinate Damien form the action core of the film, with Damien evading death through machination, power, and manipulation.
The Seduction and Corruption of Kate Reynolds
Kate Reynolds, a journalist and single mother, becomes romantically entangled with Damien. He manipulates her affection, using her emotional vulnerability as a gateway to influence both her and her son Peter. The psychological manipulation here showcases Sam Neill’s unsettling performance and deepens the film’s dramatic weight.
Movie Ending
The climax unfolds in the ruins of an ancient abbey. The priests have finally cornered Damien, but only after a series of tragedies caused by his followers and influence.
Damien arrives prepared and attempts to lure the Messiah child—now revealed to be alive and protected—into a trap. His intention is to kill the child himself, eliminating the last threat to his reign. However, he underestimates the divine protection surrounding the boy.
In the final moments, Damien is fatally stabbed with one of the Daggers of Megiddo. As he dies, he cries out to Christ in a mixture of rage and desperation. The Messiah child appears, surrounded by an aura of peace, symbolizing the triumph of good over evil. It’s a definitive ending, closing the main narrative of the Omen trilogy without ambiguity. Damien’s death is final, the prophecy fulfilled, and the child walks away unharmed—signaling the end of the Antichrist’s influence.
Are There Post-Credits Scenes?
No. The Final Conflict has no mid-credit or post-credit scenes. The film ends immediately after the closing shots, consistent with cinematic conventions of the early 1980s.
Type of Movie
The Final Conflict is a supernatural horror thriller with strong political and apocalyptic themes. It blends religious mythology with psychological tension rather than relying purely on traditional scares.
Cast
- Sam Neill – Damien Thorn
- Lisa Harrow – Kate Reynolds
- Barnaby Holm – Peter Reynolds
- Rossano Brazzi – Father DeCarlo
- Don Gordon – Dean
- Lewis Fiander – Paul Buher
Film Music and Composer
The score was composed by Jerry Goldsmith, who had also created the iconic music for the earlier films. His music in this installment is darker and more operatic, featuring choral arrangements that heighten the film’s religious themes. Goldsmith’s work remains one of the trilogy’s most memorable artistic elements.
Filming Locations
- England (London, Cornwall, and various historic churches)
- Shepperton Studios
Many scenes involving ancient ruins, abbeys, and rural landscapes were shot in Cornwall, giving the film a gothic authenticity that strengthens its apocalyptic mood. The selection of real churches and cathedrals adds atmospheric weight to the religious conflict at the center of the story.
Awards and Nominations
While not as critically acclaimed as the original The Omen, the film did receive attention for:
- Its orchestral score
- Sam Neill’s breakout performance, which was noted by critics even if not formally awarded
- Production design consistent with the franchise’s high standards
The film did not earn major awards but remains a notable entry in early 80s horror cinema.
Behind the Scenes Insights
- Sam Neill reportedly researched biblical prophecy to prepare for Damien, giving his performance a more grounded menace.
- The production team used real ancient religious sites, which sometimes created scheduling conflict with actual services.
- The baby-killing plotline caused controversy during production, forcing some storyboards to be toned down.
- Graham Baker insisted on practical effects over optical tricks, preferring realism in kills and confrontations.
- Jerry Goldsmith experimented with darker choral elements, pushing his Omen trilogy score to its most dramatic form.
Inspirations and References
- Based on themes from The Omen novelizations and the broader Judeo-Christian apocalyptic tradition.
- Inspired by interpretations of Revelation and medieval writings about the Antichrist.
- Reflects Cold War anxieties about political power, corruption, and doomsday prophecy.
Alternate Endings and Deleted Scenes
Several scenes were removed or altered:
- A longer death scene for Damien was originally storyboarded, including him witnessing visions of hell.
- A brief prologue expanding on the arrival of the monks was cut for pacing.
- A darker ending where Kate Reynolds’ son is hinted to be influenced by Damien was abandoned to conclude the trilogy more definitively.
No confirmed alternate ending was filmed, but drafts suggest multiple concludes were considered.
Book Adaptations and Differences
The film is tied loosely to Damien: Omen II novelization threads but is not a direct adaptation of any single book. Some differences include:
- The novel version gives more internal monologues for Damien, revealing his divine hatred and fears.
- The monks’ storyline is more detailed, with background about their religious order.
- Kate Reynolds’ character is significantly expanded in text form, offering more insight into her emotional vulnerability.
Memorable Scenes and Quotes
Key Scenes
- Damien delivering a chilling speech about destiny and power as he takes on his ambassador role.
- The priests’ failed assassination attempts, especially the confrontation in the fog-covered industrial yard.
- Kate slowly realizing the truth about Damien’s identity.
- The final confrontation in the ruined abbey.
Iconic Quotes
- “I am the Armageddon!” – Damien
- “You cannot kill the Son of God.”
- “Nazarene, false prophet—what can you do against me?”
Easter Eggs and Hidden Details
- Damien’s office features artwork subtly depicting apocalyptic imagery.
- The number 666 appears in background architecture and set design, never too obvious but placed intentionally.
- The Messiah child is always shown in bright, natural light—never artificial light.
- Damien frequently uses phrases that echo lines from earlier films, connecting the trilogy.
Trivia
- Sam Neill’s performance was so effective that it led to him being offered several villain roles later in his career.
- This film was shot faster than the previous Omen entries, with a tighter budget but more political storytelling.
- The Dagger props were some of the most expensive small props of the production.
- The film solidified the Omen trilogy as one of the most influential religious horror franchises.
Why Watch?
Because The Final Conflict is a blend of political intrigue, supernatural horror, and Sam Neill’s unforgettable performance as Damien Thorn. It’s the climax of one of the most iconic horror trilogies, offering answers, closure, and memorable apocalyptic imagery. If you enjoy slow-burn psychological horror rooted in prophecy, this film is essential viewing.
Director’s Other Movies
- Impulse (1984)
- Alien Nation (1988)
- Beowulf (1999)
- The Final Frontier (2000)
Recommended Films for Fans
- The Omen (1976)
- Damien: Omen II (1978)
- Rosemary’s Baby (1968)
- The Seventh Sign (1988)
- Prince of Darkness (1987)
- End of Days (1999)








