Lockout (2012) is a high-octane sci-fi action thriller directed by James Mather and Stephen St. Leger. Often described as “Escape from New York… in space”, it combines a futuristic prison setting, political intrigue, and classic one-liners. Let’s dig into the details.
Table of Contents
ToggleDetailed Summary
Opening Setup: Snow in Trouble
We’re introduced to Snow (Guy Pearce), a sardonic ex-CIA operative being interrogated over a botched mission involving stolen government secrets. He’s framed for murder and accused of betraying the agency. His wisecracking attitude immediately sets the tone: this is an anti-hero who doesn’t take anything seriously, even under threat of imprisonment.
MS One: The Orbital Prison
Meanwhile, President’s daughter Emilie Warnock (Maggie Grace) visits MS One, a maximum-security prison orbiting Earth, to investigate alleged human rights abuses. The prison houses 500 of the world’s most dangerous criminals, kept in stasis. Naturally, things go sideways.
Riot in Space
During Emilie’s inspection, a prisoner manages to escape stasis and releases hundreds of inmates. Chaos erupts, guards are slaughtered, and Emilie and her team are taken hostage by Alex (Vincent Regan) and his volatile brother Hydell (Joseph Gilgun), the prison’s most dangerous inmates.
Snow’s Mission
The government makes a deal: Snow can avoid long-term imprisonment if he infiltrates MS One and rescues Emilie. He accepts, reluctantly, armed with nothing but his cynicism, combat skills, and a small arsenal.
Rescue and Revelation
Snow sneaks into the prison, locates Emilie, and the two begin their escape through the hostile environment. Along the way, Emilie realizes the government may be hiding secrets about the prison experiments. The tension builds not just from the escape, but also from political conspiracy on Earth.
Movie Ending
Snow and Emilie fight their way through MS One’s crumbling infrastructure as Hydell grows increasingly unstable, threatening to kill all hostages. The climax sees Snow facing Hydell in a brutal confrontation. Hydell attempts to execute Emilie by ejecting her into space, but Snow defeats him in a zero-gravity fight and saves her at the last second.
After the chaos, Snow is still treated as a criminal back on Earth. Emilie, however, has learned the truth: the stolen briefcase central to Snow’s alleged betrayal actually contains evidence that proves his innocence. With this revelation, Snow is cleared of charges.
The film ends with Emilie teasing Snow about his cocky demeanor while hinting at growing romantic tension. Snow, ever sarcastic, leaves things unresolved with a smirk—walking away a free man, but still the same rogue agent.
Are There Post-Credits Scenes?
No. Lockout does not include any post-credits or mid-credits scenes. Once the credits roll, the story is complete.
Type of Movie
Lockout is a sci-fi action thriller with strong influences from 1980s action cinema. It blends dystopian science fiction with a rescue mission narrative, peppered with sarcastic humor and over-the-top villains.
Cast
- Guy Pearce as Snow
- Maggie Grace as Emilie Warnock
- Vincent Regan as Alex
- Joseph Gilgun as Hydell
- Peter Stormare as Scott Langral
- Lennie James as Harry Shaw
Film Music and Composer
The score was composed by Alexandre Azaria, known for his electronic-heavy, pulse-pounding style. The soundtrack uses a mix of industrial beats and dramatic orchestral cues, amplifying the claustrophobic and tense atmosphere inside MS One.
Filming Locations
Lockout was filmed primarily in Serbia, with most of the space environments created through green-screen and CGI at European studios. While the prison itself is fictional, the industrial set designs emphasize claustrophobic corridors and brutalist architecture, enhancing the feeling of a cold, dehumanizing future.
Awards and Nominations
The film wasn’t a major awards contender but did receive attention for its visual design and action. However, Lockout gained notoriety after Luc Besson and his production company were sued for plagiarism by John Carpenter, who claimed the film was essentially a remake of Escape from New York. Carpenter won the lawsuit, and the producers were fined.
Behind the Scenes Insights
- Guy Pearce bulked up and adopted a deliberately cocky, wisecracking persona to channel 1980s-style action heroes.
- Joseph Gilgun improvised much of Hydell’s unhinged dialogue, enhancing his chaotic performance.
- The lawsuit with John Carpenter overshadowed the film’s release, making it more famous for controversy than box office success.
- The directors intended MS One to feel like a mix between a military base and a horror labyrinth, which is why much of the prison is dark, metallic, and maze-like.Inspirations and References
- Strongly inspired by John Carpenter’s Escape from New York (1981), with Snow as a stand-in for Snake Plissken.
- Elements of Blade Runner and Aliens can be seen in the grimy, industrial sci-fi aesthetics.
- Political undertones about surveillance, incarceration, and corruption reflect themes from classic dystopian literature.
Alternate Endings and Deleted Scenes
While no alternate endings were officially released, early drafts suggested a darker ending where Snow dies saving Emilie. This was scrapped in favor of a more traditional action-hero survival ending. Several action beats inside MS One were shortened due to pacing issues.
Book Adaptations and Differences
Unlike many sci-fi films, Lockout is not based on a book. However, its narrative borrows heavily from 1980s pulp action tropes and comics, giving it a graphic-novel feel.
Memorable Scenes and Quotes
Key Scenes
- Snow’s interrogation, where he mocks his captors with one-liners.
- Emilie’s tense hostage standoff with Hydell.
- The zero-gravity fight sequence near the climax.
- Snow and Emilie’s final banter after he’s proven innocent.
Iconic Quotes
- Snow: “There’s only two things I don’t do: time and relationships.”
- Snow: “Let’s get one thing straight, I’m nobody’s hero.”
- Hydell: “You’re all gonna die up here!”
Easter Eggs and Hidden Details
- Snow’s cynical personality and eye-patch jokes are clear nods to Kurt Russell’s Snake Plissken.
- The prison’s name, MS One, echoes “Maximum Security One,” reinforcing its unescapable reputation.
- Several set designs borrow from Besson’s earlier work on The Fifth Element.
Trivia
- The film’s budget was around $20 million, but most of it went into digital effects rather than sets.
- Guy Pearce was initially reluctant to play an action hero but embraced the sarcasm-heavy script.
- The movie underperformed at the box office but gained a cult following on home media.
- John Carpenter’s plagiarism lawsuit became almost more famous than the movie itself.
Why Watch?
If you love old-school action movies with a sci-fi twist, Lockout is worth watching. Guy Pearce’s deadpan humor carries the film, and the prison-riot-in-space setting delivers solid thrills. It’s not groundbreaking, but it’s fast, entertaining, and a guilty-pleasure kind of ride.
Director’s Other Movies
Since the film was co-directed by James Mather and Stephen St. Leger, their filmography is limited, but producer Luc Besson has a long list of notable works:
Recommended Films for Fans
- Escape from New York (1981)
- Escape from L.A. (1996)
- Fortress (1992)
- The Chronicles of Riddick (2004)
- Dredd (2012)