Detailed Summary
Introduction and Setting
High and Low (天国と地獄, Tengoku to Jigoku) is a Japanese crime thriller film directed by Akira Kurosawa, based on the novel King’s Ransom by Ed McBain. The film is a gripping tale of a kidnapping that goes wrong, blending elements of crime, drama, and social commentary. The story unfolds in Yokohama, Japan, during the early 1960s.
The Plot Unfolds
Kingo Gondo’s Dilemma
Kingo Gondo (Toshiro Mifune) is a wealthy executive at National Shoes, plotting a takeover of the company. His plans are derailed when his chauffeur’s son, Shinichi, is kidnapped. The kidnappers mistakenly believe they have abducted Gondo’s son, Jun. Gondo faces a moral dilemma: pay the ransom, which will ruin him financially, or refuse and risk the child’s life.
The Moral Conflict
Gondo’s initial reaction is pragmatic; he refuses to pay the ransom, intending to save his financial position. However, he is persuaded by his wife and the police to reconsider. The film explores Gondo’s internal struggle and the ethical implications of his decisions, highlighting themes of wealth disparity and moral responsibility.
The Kidnapping Investigation
The police, led by Inspector Tokura (Tatsuya Nakadai), launch an extensive investigation. They meticulously track the kidnapper’s movements and strategies, employing various techniques to gather evidence. The film shifts focus to the police procedural aspects, depicting the dedication and challenges faced by law enforcement.
The Kidnapper’s Perspective
The kidnapper, Takeuchi (Tsutomu Yamazaki), is revealed to be a medical intern living in poverty. His motivation is fueled by resentment and envy of the wealthy, particularly Gondo. Takeuchi’s character provides a stark contrast to Gondo, embodying the social divide and underlying tensions in society.
The Climax and Resolution
The police manage to trace the ransom money and apprehend Takeuchi. Gondo, having paid the ransom, loses his position and wealth but gains a renewed sense of moral clarity. The film concludes with a tense confrontation between Gondo and Takeuchi in prison, where they reflect on their actions and the moral complexities of their lives.
Movie Ending
The film ends on a somber note, with Gondo and Takeuchi separated by prison bars, symbolizing the stark divide between their worlds. Gondo’s loss of wealth is contrasted with his moral redemption, while Takeuchi faces the consequences of his actions.
Post-Credits Scene
There are no post-credits scenes in High and Low.
Type of Movie
High and Low is a crime thriller that blends elements of drama, social commentary, and police procedural.
Cast
- Toshiro Mifune as Kingo Gondo
- Tatsuya Nakadai as Inspector Tokura
- Kyoko Kagawa as Reiko Gondo
- Tatsuya Mihashi as Kawanishi
- Tsutomu Yamazaki as Takeuchi
- Kenjiro Ishiyama as Chief Detective
- Takeshi Kato as Detective Nakao
Film Music and Composer
The film’s score was composed by Masaru Sato, whose music enhances the tension and emotional depth of the story.
Filming Locations
High and Low was filmed primarily in Yokohama, Japan, utilizing both studio sets and real locations to create an authentic urban environment. The contrast between Gondo’s luxurious home and the slums where Takeuchi lives highlights the film’s themes of social inequality.
Awards and Nominations
High and Low received numerous prestigious awards, including:
- Mainichi Film Concours: Won Best Actor (Toshiro Mifune) and Best Art Direction.
- Kinema Junpo Awards: Won Best Film and Best Director (Akira Kurosawa).
Behind the Scenes Insights
- Akira Kurosawa meticulously crafted the film, focusing on both the psychological depth of the characters and the realistic depiction of police work.
- The film’s attention to detail in portraying the procedural aspects of the investigation has been praised for its realism and intensity.
- Toshiro Mifune’s performance as Gondo is considered one of his best, showcasing his versatility as an actor.
Inspirations and References
The film is based on Ed McBain’s novel King’s Ransom, but Kurosawa adapted the story to explore broader themes of social inequality and moral dilemmas. The title “High and Low” refers to both the physical and social strata depicted in the film.
Alternate Endings and Deleted Scenes
The final cut closely follows Kurosawa’s vision. While there are no significant alternate endings, some deleted scenes and additional content are available in special editions and DVD releases, providing further context and character development.
Book Adaptations and Differences
The film is based on the novel King’s Ransom by Ed McBain. While the core plot remains similar, Kurosawa’s adaptation places a greater emphasis on social commentary and the moral complexities of the characters.
Memorable Scenes and Quotes
Key Scenes
- The initial ransom demand and Gondo’s moral dilemma.
- The police’s meticulous investigation and stakeout sequences.
- The climactic confrontation between Gondo and Takeuchi in prison.
- The discovery and tracing of the ransom money.
Iconic Quotes
- “You saved the life of a child, and you did it with money. It was a wonderful thing.” – Inspector Tokura
- “There is no escape. Nowhere to run. Nowhere to hide.” – Takeuchi
Easter Eggs and Hidden Details
- The film’s detailed depiction of Yokohama’s urban landscape serves as a backdrop for the social commentary on wealth disparity.
- The use of black-and-white cinematography enhances the film’s dramatic tension and the stark contrasts between characters’ lives.
Trivia
- The film’s budget was significant for its time, allowing Kurosawa to create elaborate sets and employ a large cast of extras.
- High and Low is often regarded as one of Kurosawa’s masterpieces, showcasing his skill in both character-driven drama and intense procedural storytelling.
- The film’s Japanese title, Tengoku to Jigoku, translates to “Heaven and Hell,” reflecting the stark contrasts and moral dilemmas explored in the story.
Why Watch?
High and Low is a masterfully crafted film that offers a compelling blend of crime thriller, social commentary, and intense drama. Its exploration of moral dilemmas, combined with strong performances and meticulous direction, make it a must-watch for fans of classic cinema and thought-provoking storytelling.
Director’s Other Movies
Akira Kurosawa also directed:
Recommended Films for Fans
- Stray Dog (1949)
- The Bad Sleep Well (1960)
- Rashomon (1950)
- M (1931)
- L.A. Confidential (1997)
