Brian De Palma’s Carrie (1976) is one of the most defining horror films ever made—stylish, tragic, and unsettling. Based on Stephen King’s debut novel, the film blends supernatural horror with raw social commentary, delivering a punch that still shocks modern audiences. Below is a comprehensive and reader-friendly breakdown touching on every detail you asked for.
Table of Contents
ToggleDetailed Summary
Carrie White: The Outcast
Carrie White (Sissy Spacek) is a painfully shy, sheltered girl raised by her domineering religious mother, Margaret (Piper Laurie). At school, she is relentlessly bullied by her classmates. The film opens with the infamous locker-room scene—Carrie gets her first period and panics, not understanding what’s happening. Instead of supporting her, the other girls mock her, throwing tampons and chanting.
This moment is the psychological spark that begins awakening Carrie’s telekinetic powers.
The Punishment and the Plotting
The girls involved are punished by gym teacher Miss Collins. One of the bullies, Chris Hargensen, refuses to accept the punishment and is banned from prom. In retaliation, she devises a plan with her boyfriend Billy Nolan (John Travolta) to humiliate Carrie on prom night.
Meanwhile, Sue Snell, another girl who feels guilty about her behavior, asks her boyfriend Tommy Ross to invite Carrie to the prom as a gesture of kindness.
Newfound Powers & Flickers of Confidence
Carrie begins to explore her telekinesis, discovering she can move objects with her mind. As she gains control, she starts to gain confidence—not only in her abilities but also in herself. Despite her mother’s attempts to suppress her “sinful” nature, Carrie accepts Tommy’s invitation.
Her transformation becomes one of the film’s central arcs—from terrified wallflower to young woman claiming her identity.
Prom Night: Beauty Before Destruction
Prom night is stunningly shot, filled with soft lighting and dreamlike camera movement. Carrie and Tommy are crowned prom king and queen. For a brief moment, Carrie experiences genuine happiness.
Then Chris’s cruel trap is sprung: a bucket of pig’s blood drenches Carrie on stage, and the falling bucket hits Tommy, killing him.
The Telekinetic Rampage
Humiliated and emotionally shattered, Carrie unleashes her powers on everyone in the gym. She locks the doors, sets fires, electrocutes students, and turns the joyful event into one of horror cinema’s most iconic massacre scenes.
Sue watches helplessly from afar, realizing the horror her classmates triggered.
Movie Ending
After leaving the burning school, Carrie walks home covered in blood. Her mother attacks her in a religious frenzy, believing Carrie is possessed. In a desperate act of self-defense, Carrie uses her powers to stop her mother’s heart, effectively killing her.
Overcome with grief and trauma, Carrie pulls down the house around them—using telekinesis to collapse walls and ceilings. The house caves in and ultimately sinks into the earth, symbolically swallowing the tragedy whole. Carrie dies alongside her mother.
The film closes with one of the most famous horror endings ever: Sue Snell, traumatized, visits the ruins of the White house in a dream sequence. As she kneels to place flowers, Carrie’s bloody hand shoots up from the rubble, grabbing her. She wakes up screaming. It’s left intentionally ambiguous how deeply scarred Sue is and what long-term effect these events will have on her life.
Are There Post-Credits Scenes?
No. Carrie (1976) does not contain post-credits scenes. The final shock comes in Sue’s dream before the credits roll.
Type of Movie
Carrie is a supernatural horror drama with strong psychological and tragic elements. It blends teenage coming-of-age themes with intense emotional and paranormal horror.
Cast
- Sissy Spacek as Carrie White
- Piper Laurie as Margaret White
- Amy Irving as Sue Snell
- William Katt as Tommy Ross
- John Travolta as Billy Nolan
- Nancy Allen as Chris Hargensen
- Betty Buckley as Miss Collins
Film Music and Composer
The score was composed by Pino Donaggio, whose music alternates between soft, melancholic themes and sharp, suspense-filled cues. His use of strings—particularly in scenes where Carrie uses her powers—became a hallmark of the film’s eerie atmosphere.
Filming Locations
Most of the film was shot in California, particularly Los Angeles areas like Hermosa Beach and Santa Paula.
- The high school scenes were filmed at Palisades High School.
- The White family home was a constructed set, designed to emphasize isolation and strict religious oppression.
- The prom sequence was filmed on a soundstage, allowing De Palma full control over lighting, effects, and the swirling split-screen shots he used for the massacre.
Awards and Nominations
- Academy Award Nominations (1977):
- Best Actress (Sissy Spacek)
- Best Supporting Actress (Piper Laurie)
Both nominations were rare for the horror genre, highlighting the film’s strong performances.
Behind the Scenes Insights
- Sissy Spacek insisted on using real blood-like substance for the prom scene to keep her reactions authentic.
- She slept in her bloody prom dress for several nights of shooting so continuity wouldn’t suffer.
- Piper Laurie initially interpreted the script as a dark comedy and was shocked to learn it was meant to be serious.
- Brian De Palma auditioned Star Wars actors and actresses for Carrie at the same time George Lucas was casting.
- Nancy Allen said the cast bonded instantly—especially during gym scenes.
Inspirations and References
- Based on Stephen King’s 1974 novel, inspired by King’s experiences as a teacher and two troubled girls he had known.
- The religious fanatic angle was influenced by King’s observations of extreme religious households in his childhood town.
- De Palma brought in stylistic inspiration from Hitchcock, especially visible in the split-screen sequence during the prom massacre.
Alternate Endings and Deleted Scenes
- De Palma originally shot a slightly longer prom scene showing more of the chaos, but trimmed it for pacing.
- The ending with Carrie’s hand was inspired by Deliverance—King and De Palma agreed it needed a final jolt.
- A cut scene involving more of Sue’s guilt and nightmares existed but was removed for runtime.
Book Adaptations and Differences
- In the book, Carrie is less innocent and more emotionally unstable from the start.
- The novel includes multiple perspectives, newspaper clippings, and interviews, giving a documentary-like feel.
- The destruction in the book is far more extensive—Carrie destroys large portions of the town, not just the school.
- Sue’s pregnancy subplot is absent from the movie.
- The hand-from-the-grave ending does not appear in the novel.
Memorable Scenes and Quotes
Key Scenes
- Carrie discovering her period in the locker room.
- Margaret’s chilling “They’re all gonna laugh at you!” foreshadowing.
- The prom ballot scene—slow motion, tension building, and heartbreak.
- The telekinetic massacre with De Palma’s split-screen effect.
- The house collapsing as Carrie dies with her mother.
Iconic Quotes
- Margaret White: “They’re all gonna laugh at you!”
- Margaret White: “I can see your dirty pillows.”
- Carrie: “It was bad, Mama. They laughed at me.”
- Miss Collins: “You’re beautiful, Carrie.”
Easter Eggs and Hidden Details
- The split-screen technique pays homage to Hitchcock’s visual style.
- Early in the film, small telekinetic hints appear—lights flicker when Carrie gets upset.
- The pig farm scene with Billy references classic exploitation cinema.
- Margaret’s home has no rounded edges—everything is harsh, symbolizing her personality.
Trivia
- Sissy Spacek was 26 while playing a teenager.
- Stephen King was paid only $2,500 for the film rights.
- The prom fire was so intense that the set had to be dismantled immediately after shooting.
- The film was one of John Travolta’s first major roles.
Why Watch?
Because Carrie is not just a horror movie—it’s a tragic character study wrapped in supernatural terror. The performances are gripping, the direction is stylish, and the story delivers emotional punch along with iconic scares. It remains one of the most influential horror films ever made.
Director’s Other Movies
- Sisters (1972)
- Phantom of the Paradise (1974)
- Dressed to Kill (1980)
- Blow Out (1981)
- Scarface (1983)
- The Untouchables (1987)
- Mission: Impossible (1996)








